A black-and-white portrait of a young woman with long dark hair, wearing a dark top and a light-colored blazer, standing against a plain wall.

about

my story

I’ve never seen fashion as just clothing— to me, it’s storytelling, psychology, and curation. That mindset led me to study Fashion Design & Merchandising, where I learned how visuals shape perception and how a concept can live beyond fabric.

While I was still in school, I started producing my own editorial projects — styling, directing shoots, and building narratives from moodboard to final image. That work evolved into I Spy A Find — first a vintage shop, now becoming an independent zine and creative platform centered around Truth, storytelling, and found beauty.

To learn how ideas function in real-world retail and branding, I worked as a Visual Merchandising Leader, leading teams and designing in-store experiences for commercial spaces. It taught me how to balance creativity with structure and vision with execution.

I Spy A Find became my personal case study. I handled everything— creative direction, branding, web design, product curation, photography, and marketing. It made me realize I don’t just style or design— I build experiences.

Now I’m expanding that into the digital world. I’m currently completing my UI/UX Design Certification through Cornell University, refining how I approach interaction, usability, and digital storytelling— applying the same eye I use in fashion to interfaces, systems, and experience design.

Line art drawing of a rose and the word 'Love' on a black background.

visual process

I start with a feeling— not clothing, not layout, not product. Emotion leads everything.

From there, I build the world around it: color, light, texture, narrative, character. I don’t ask what looks good?

I ask what feels true?

I collect — film stills, poetry, archival images, locations, fabrics, faces. I strip it down, refine, and only keep what serves the story.

Then I translate it into form: casting, clothing, set, composition, typography, interface

whatever medium carries the soul of the idea.

On set or on screen, I let the story breathe. Nothing is accidental, but nothing is over-staged.

My work isn’t about decoration

it’s about directing emotion into something you can see.

  • My role in film centers on styling and atmosphere— translating editorial precision into motion.

  • My editorial work studies how fashion and image construct tone— precise, intentional, and directional.

  • My work in visual merchandising centers on leading creative teams to build strong, cohesive brand visuals across physical and digital spaces.