Visual Merchandising ✦ Styling ✦ fashion design

I have always been fascinated by the way clothing can change the way a person moves, feels, and is perceived.

In fashion, I sit where discipline meets instinct. My practice is rooted in the way fabric falls, the tension between structure and softness, and the small decisions that determine whether something feels merely made or truly considered. I’m drawn to pieces that communicate without needing to announce themselves.

For me, fashion is as much about observation as it is about creation. I study how people inhabit clothes, how environments influence them, and how styling can transform a garment into a complete visual language.

I’m particularly drawn to natural materials, strong proportions, classic silhouettes, and thoughtful construction. I like the tension between taking something familiar and pushing it just far enough to make it feel new.

I believe quality is a form of trust.

Trust in the materials.
Trust in the maker.
Trust in the decisions made when no one is looking.

A well-made garment should reveal consideration in its construction, rather than simply advertise its expense. I’m working towards developing the technical discipline to make beautiful things with intention, and the judgement to know when something needs nothing more.

I’m currently developing my practice across fashion design, visual merchandising, styling, and creative direction, while continuing to expand my technical understanding of garment construction and craftsmanship.

I’m interested in building a career within fashion that allows these disciplines to intersect; where the garment, the image, the environment, and the story are considered as one.

Current Interests

• Ballet

• Religious architecture

• Unusual textiles

• Objects that increase in beauty with age